Musee D'Orsay - 19th Century French Art

Thursday, August 30, 2018
Paris, Île-de-France, France
I got an early start from Waregem, actually Heestert where I was staying with Amelie and Kevin, for the drive back to Brussels. We had a bit of an issue in that that Sixt’s system was saying I needed to be charged 49 Euros for an extra day because I didn’t return it in time. The fact is I got the car back before 9:00 A.M. as in the contract, but that might technically have been a few minutes over 17 days from when I showed up at the office to get the car. I’ll fight them on it!
I figured I might have to wait a while for a train to Paris. I showed up at 9:03 at the Thalys office in Gare du Midi, and the agent insisted he could get me on the 9:13 train to Paris. He said I wouldn’t even have to walk fast to the track. Such clockwork! Gare du Midi, the Brussels South train station is where my mom’s friend Josette and her son-in-law picked us up after or train ride from Paris to Brussels in 1985. But 33 years ago we had to deal with passport control, and it was before the era of very fast trains between Paris and Brussels. What took us over three hours then now takes about an hour and twenty minutes.
I love going so fast at ground level on TGV and other high-speed trains! They even have WiFi on the train!  I passed through Gare du Nord a couple of times on my 2003 trip to Europe which included Paris. It physically looks the same, but things are different. It’s now far more, ummmm how shall we say it? Much more “multicultural”. Is this still Europe or have I been transported rapidly to North or West Africa? There’s definitely a lot more Africans and Hijabis in Paris than there was my last time here in 2003.
When you get into the city of Paris, though, it’s still monumental and beautiful. I arrived in Paris a day and a half before my brother and sister-in-law and had great plans for before they got in. Hey, the Louvre is open late tonight!  After two late nights without a lot of sleep in Waregem, I was mostly ready to crash on my arrival in Paris.
And my hostel here is kind of weird. I booked it through the normal website I use but somehow missed that it’s run by a conservative Catholic organization. My five nights stay involves a membership fee in the org, and not only do they not have a bar with alcohol, the vending machines don’t have soft drinks with artificial sweeteners. Is aspartame against Catholic theology? There’s a chapel downstairs, but they’re not making me go, and overall it’s a very nice place. But if I didn’t find God walking the Camino de Santiago, I probably won’t find him at Adveniat Hostel in Paris.
But by morning I was ready to go. With a mostly cloudy and showery day forecast, I decided it was a good one for museums. Of the major ones, I felt most eager to see the Musee D’Orsay again, the former train station that since 1986 houses France’s primary collection of 19th century art. In popular imagination, that means the impressionists like Monet, Renoir, Sisley, Pissarro, Cezanne, Manet through Van Gogh and Gauguin, but in reality it’s a lot more, many great artists from pre-impressionism and alternative schools of painting and sculpture from the era whose styles haven’t been as popular in the latter half of the 20th and into the 21st centuries.
Of course, Van Gogh and Gauguin and all those associated with Impressionism are everyone’s faves. SO I strategically got to the museum at opening time and went to those parts first before they got too too crowded, even though I spent most of the day in the museum. Ah, and that also meant I had lunch there. The portions were on the chincey side, which is typical for France, but the atmosphere in the restaurant at the museum was stunning, like something directly out of the Belle Epoque.
This may have been one of my biggest picture-taking days ever. Why do I take pictures of paintings in museums? I don’t know. I see something I like, and with digital photography the cost of taking an extra picture or twenty or two thousand is essentially zero. So why not?
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