National Gallery of Canada - Art of the Nation

Saturday, May 26, 2018
Ottawa, Ontario, Canada
A few years ago I met a very cultured English man on a tour with whom I got to talking about American museums and Philadelphia. After the Barnes Collection came up in our conversation, I mentioned the Pennsylvania Academy of Fine Arts, a notable museum of American art in the city. He laughed and dismissed it as rubbish he would not be interested in. While it is true that art in the colonies wasn’t up to the standards of Europe for much of our history, by the late 19th century American art was holding its own against what Europe was producing. Meanwhile, if you are truly interested in history and culture, it’s important I believe to view the art it has produced to get a better feel for the place.
That’s why I’m always interested in art unique to a country, city, or region when I travel. I could approach Canadian art with the same attitude my tour mate viewed American art because I’ve probably never seen a painting by a Canadian artist outside of Canada. So that means it can’t be ay good, right?  Of course not, Canadians are multi-talented.   They can play hockey well but also paint pretty pictures.
Moving through the galleries in a sequential manner, it’s possible to see the development of Canadian art parallel to that in America. On the other hand, there are aspects that are quite different with different influences and styles. It’s not simply as if artists on two sides of the border were doing the same thing at the same time. There are unique aspects to Canadian art, at least up through the first half of the twentieth century. Since WWII, though, culture has become ever more internationalized; while artists may maintain their nationality and individual style there are no longer distinct national schools or styles of art the way of past centuries. I found the works of the “Group of Seven” Canadian landscape painters to be particularly interesting. I remain surprised that almost none of their works or those of other Canadians have found their way into art museums south of the border.
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